Seen through the work of artists Sofía Gallisá Muriente and Hope Strickland, Daisy Gould considers how hurricanes and storms influence Caribbean moving image practices.
Kristina Kay Robinson visits the studio of Matthew Rosenbeck, a multidisplinary artist working in New Orleans who repurposes salvaged, found materials.
In July’s co-publishing partnership with Oxford American, Leo Shannon writes on the flood-salvaged recordings of Morgan Sexton, the East Kentucky banjo legend.
