Night Vision at Tennessee Gallery, Atlanta
Noah Reyes reviews the visual whiplash to be found in the mixed media collages of Candace Caston’s Night Vision at Tennessee Gallery, Atlanta.
Noah Reyes reviews the visual whiplash to be found in the mixed media collages of Candace Caston’s Night Vision at Tennessee Gallery, Atlanta.
Robert Alan Grand reviews Jasmine Best’s South Carolina exhibition tackling the whitewashing of Black property, history, culture, and influence from the American South at Tiger Strikes Asteroid, Greenville.
Our monthly round of opportunities includes the Artadia Awards in Atlanta and Houston, one of the largest regional grants for South Florida artists, and a call for public murals in Winston-Salem.
Amarie Cemone Gipson reviews the pushing of boundaries into immersive experiences found inTransient Vistas at FLATS, Houston.
Shabez Jamal visits the studio of New Orleans-based artist Carlie Trosclair to discuss the patterns of collecting and intentional looking.
Sarah Carter speaks with Nashville-based artist Brett Douglas Hunter on returning to smaller works and the wild, wonderful figures found in his solo show Cryptids and Crinoids at Elephant Gallery, Nashville.
E.C. Flamming reviews the renderings of road trips taken between a mother and her children in Namwon Choi: 248 Miles at the Museum of Contemporary Art of Georgia, Atlanta.
Maria Owen reviews sensory exchange and the study of constant movement as found in Elly Reitman’s energy at Bad Water, Knoxville.
Whitney Washington reviews Kathryn Jill Johnson’s expressionism in “Did Your Mother Work at the Castle?” at Lowe Mill Arts & Entertainment, Huntsville.