Julian Rogers, Untitled, 2017; oil on canvas, 40 by 34 inches.
Julian Rogers, Blue Flowers, 2019; oil on canvas, 40 by 30 inches.
“Alexander’s Dark Band” is the dark area that appears between two rainbows in the event of a double rainbow. The paintings in Alexander’s Dark Band look at the history of painting in two ways and use a monochromatic or multicolored spectrum to do so. With a veil-like quality on the surface of each work, digital images of these paintings are very difficult to capture, and the eye continues to search for what it’s seeing.
— From the accompanying text
Julian Rogers, Double Positive, 2014; oil on canvas, 22 by 20 inches.
Julian Rogers, Double Positive, 2014; oil on canvas, 26 by 22 inches.
Julian Rogers, Nightlife, 2016; oil on canvas, 36 by 36 inches.
Julian Rogers, Nightlife, 2016; oil on canvas, 36 by 36 inches.
Julian Rogers, Untitled, 2017; oil on canvas, 20 by 22 inches.
Julian Rogers, Untitled, 2017; oil on canvas, 26 by 22 inches.
Julian Rogers’s solo exhibition Alexander’s Dark Band is on view at the Red Arrow Gallery in Nashville through July 27.
Merin McDivitt reviews Southern Grammar, an exhibition exploring the Black Southern experience in the work of three contemporary artists at Ella West Gallery, Durham.
In a special week-long editorial series on zines in anticipation of Burnaway's Book//Zine fair, Florida-based artist Paul Shortt speaks to the art of tabling a zine fair.
Heather Bird Harris reviews Mona Bozorgi and Tokie Rome-Taylor’s dialogue of alternative image-making in from within, so together at Swan Coach House Gallery, Atlanta.
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