Julian Rogers, Untitled, 2017; oil on canvas, 40 by 34 inches.
Julian Rogers, Blue Flowers, 2019; oil on canvas, 40 by 30 inches.
“Alexander’s Dark Band” is the dark area that appears between two rainbows in the event of a double rainbow. The paintings in Alexander’s Dark Band look at the history of painting in two ways and use a monochromatic or multicolored spectrum to do so. With a veil-like quality on the surface of each work, digital images of these paintings are very difficult to capture, and the eye continues to search for what it’s seeing.
— From the accompanying text
Julian Rogers, Double Positive, 2014; oil on canvas, 22 by 20 inches.
Julian Rogers, Double Positive, 2014; oil on canvas, 26 by 22 inches.
Julian Rogers, Nightlife, 2016; oil on canvas, 36 by 36 inches.
Julian Rogers, Nightlife, 2016; oil on canvas, 36 by 36 inches.
Julian Rogers, Untitled, 2017; oil on canvas, 20 by 22 inches.
Julian Rogers, Untitled, 2017; oil on canvas, 26 by 22 inches.
Julian Rogers’s solo exhibition Alexander’s Dark Band is on view at the Red Arrow Gallery in Nashville through July 27.
Whitney Washington reviews the history and practice of ceremonial costuming in New African Masquerades: Artistic Innovations and Collaborations at the Frist Art Museum, Nashville.
In November's co-publishing initiative with Oxford American, Holly Devon reports on Amtrak’s new Mardi Gras Service line that restores passenger rail transit between New Orleans and Mobile on the Gulf Coast.
Our monthly round up of opportunities includes an animation thesis grant for senior and MFA/MA students, an exhibition open call at Locust Projects in Miami, and a summer scholarship to attend a craft school in Penland, North Carolina.
Subscribe to BurnawaySign up to recieve the Burnaway newsletter and get notified about upcoming events and opportunities.* required field
