Danielle Tamagni, Sapeurs posing in front of Memorial Savorgnan de Brazz, Brazzaville, 2008; chromogenic print, 37 1/2 by 47 inches. (All images courtesy of Hammonds House Museum.)
Arteh Odidja, Stranger in Moscow — Kremlin; archival inkjet print, 31 by 37 inches.
Curated by Shantrelle P. Lewis, Dandy Lion: (Re) Articulating Black Masculine Identity is a photography exhibition which highlights the contemporary expressions of the Black Dandy phenomenon in popular culture. The Black Dandy celebrated in the exhibition is a self-fashioned gentleman who intentionally assimilates classical European fashion with African Disaporan aesthetics and sensibilities.
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He is a rebel—a modern-day representation of the African trickster.
— From the accompanying text
Harness Hamese, For every strong woman there are strong men — Khumbula, 2014; archival inkjet print, 21 by 25 inches.
Hanif Abdur-Rahim, A Revolution in Etiquette — Connoisseurs of SWAG, 2010; digital chromogenic print, 41 by 41 inches.
Russell Frederick, Alanzo, 2010; silver gelatin print, 24 by 27 inches.
Sara Shamsavari, Martell Campbell, London, 2014; archival inkjet print, 20 by 24 inches.
Russell Frederick, Kingsley, 2010; silver chromogenic print, 24 by 24 inches.
Harness Hamese, Give thanks for thoughtful hands — Bafana Mthembu and Andile Biyana of Khumbula, 2013; archival inkjet print, 21 by 25 inches.
Samantha Oleschuk reviews Andréa Keys Connell's solo exhibition at Artspace in Raleigh, NC, one that gestures to the multiplicity of maternal experience.
Francess Archer Dunbar reviews Diego Alejandro Waisman’s Sunset Colonies at the Patricia & Phillip Frost Art Museum at Florida International University, Miami, which uses photography and archival materials to preserve the overlooked histories of South Florida’s mobile home communities.
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