Zoe Ariyama outlines the work of artist Christian Dinh, based in New Orleans, whose ceramic sculptures encapsulate the sights, sounds, and artifacts of Vietnamese working-class communities.

Zoe Ariyama questions the classifying terms "vernacular", "outsider", and "self-taught" in the reinstallation of the permanent collection at the Ogden Museum of Southern Art.

Zoe Ariyama contextualizes the permanence of pottery in her review of Katherine Choy: Radical Potter in 1950s New Orleans at the New Orleans Museum of Art (NOMA).