In Richmond, Maura Callahan considers the curatorial ambitions and institutional contradictions framing Commonwealth, a group exhibition at the ICA at VCU that examines the intertwined colonial histories of Virginia, Pennsylvania, and Puerto Rico.

The 2019 Atlanta Biennial collapses distinctions between "folk" and mainstream, past and future, making a case for art "inside and beside" the artworld. Read Maura Callahan's review, co-commissioned by Burnaway and our partner publication Momus.