In the Studio with Kole Nichols
EC Flamming visits the Atlanta-based studio of Kole Nichols to discuss the value of embracing imperfections and the pathway between spaces.
EC Flamming visits the Atlanta-based studio of Kole Nichols to discuss the value of embracing imperfections and the pathway between spaces.
Colony Little reviews North Carolina Museum of Art’s presentation of Ekow Eshun’s The Time is Always Now, bringing together 23 African diasporic artists who render Black subjectivity, identity, and interiority while subverting notions of the gaze.
Our monthly round of opportunities includes an arts writers grant supporting critical writing, a studio residency in Key West, and an open call for a permanent outdoor mural in Yadkinville, North Carolina.
Francess Archer Dunbar reviews Diego Alejandro Waisman’s Sunset Colonies at the Patricia & Phillip Frost Art Museum at Florida International University, Miami, which uses photography and archival materials to preserve the overlooked histories of South Florida’s mobile home communities.
Quinn Foster reviews Prairie Stories: Art and Ecological Restoration on Louisiana’s Prairies, sharing the powerful connections between art, activism, nature, and storytelling at the Acadiana Center for the Arts, Lafayette.
Announcing Burnaway’s 2025 Art Writing Incubator, Your Voice is Personal! Applications open now until May 16.
Samantha Oleschuk reviews Andréa Keys Connell’s solo exhibition at Artspace in Raleigh, NC, one that gestures to the multiplicity of maternal experience.
Jackson Markovic reviews the technicolor processing of the psyche in Jayne County’s Electric Dreams at Emory University’s Visual Arts Gallery, Atlanta.
Whitney Washington reviews the disarticulation and dream world created by John Paul Kesling in his solo exhibition Lean-To at Lowe Mill ARTS & Entertainment, Huntsville.