Whitney Washington reviews the history and practice of ceremonial costuming in New African Masquerades: Artistic Innovations and Collaborations at the Frist Art Museum, Nashville.
Burnaway is excited to announce our third Artist Edition ‘Untitled (Studio View)’, a flag made by Atlanta-based artist Antonio Darden.
Mario Andrés Rodriguez reviews the sustainable re-representations of the Florida Everglades in Weathering, a solo exhibition by Alissa Alfonso at Miami Beach Botanical Garden, Miami Beach.
Burnaway is delighted to continue our tradition of elevating Southern artists by partnering with Sheet Cake Gallery on a solo exhibition of work by Clare Torina at NADA Miami from December 2-6.
Noah Reyes reviews the methods in which the natural world is noticed and harnessed in Rustle at Blue Boy, Savannah.
Samantha Oleschuk reviews Manners of Dress, an exhibition which considers what clothing can reveal about identity and performance, at Rollins Museum of Art, Winter Park.
Our monthly round up of opportunities includes an animation thesis grant for senior and MFA/MA students, an exhibition open call at Locust Projects in Miami, and a summer scholarship to attend a craft school in Penland, North Carolina.
Courtney McClellan considers a proposition on aura in The Space Between Looking and Loving: Francesca Fuchs and the de Menil House at The Menil Collection, Houston.
Thalia Butts visits the Atlanta-based studio of Wilay Méndez Páez to talk about creating with recycled metal and his recent recognition through the Working Artist Project award.
