Claire Dempster struggles with the joy and longing in Ragnar Kjartansson’s immense nine screen video installation on view at the High.

Claire E. Dempster charts connections between textiles and time, weaving and mythology in her review of Sonya Yong James's solo exhibition "Loud Magic" at Whitespace in Atlanta.

In her exhibition Base Line of Appraisal, Atlanta artist Krista Clark translates two-dimensional compositions into architectural installations drawing on the city's rapidly developing landscape.