Pete Schulte, As Within / So Without, site-specific wall drawing, Zeitgeist Gallery, Nashville.
Birmingham artist Pete Schulte is known for his minimalist graphite drawings and site-specific wall drawings that use simple geometric forms and an austere palette to subtly flirt with perception. He was the state finalist for the inaugural Southern Prize given by South Arts, for which he received $5,000.
Schulte received his MFA in painting and drawing from the University of Iowa in 2008, and now teaches at the University of Alabama in Tuscaloosa, With his wife, artist Amy Pleasant, he runs the art space Fuel and Lumber Company, which currently has an installation as part of Atlanta Contemporary’s On-Site series. Schulte earned an MFA in painting and drawing from the University of Iowa. Pete Schulte, Dark Corner / For No Witness, Site-Specific Wall Drawing, Jeff Bailey Gallery, Hudson, New York Pete Schulte, Dark Day, site-specific wall drawing, Museum of Contemporary Art of Georgia, Atlanta. Pete Schulte, The Belletrist Pete Schulte, The Braid III (No More Snake Oil Blues), Framed work on paper, leans against wall. Left – full view. Right – detail Pete Schulte, Blixa Pete Schulte, Cosmic American Music Pete Schulte, As Above / So Below Pete Schulte, Gallis Pole
Burnaway and the Caribbean Cultural Center African Diaspora Institute (CCCADI) are pleased to announce our new collaboration: Care in Precarity, an open call for Caribbean writers to reflect on practices of care in the context of climate-based instability and crisis.
Courtney Napier profiles Durham artist Maya Freelon, who highlights Black family stories, resilience, and the colors and textures of her African American heritage, drawing viewers into the vast Black imagination.
Artist, curator, and writer Paul Bright visits the Greensboro studio of Mariam Aziza Stephan, a painter using abstract landscapes to explore themes of loss.
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