Good Luck Jules by Jules Jackson at COOP Gallery, Nashville
Margaret Jane Joffrion reviews the autobiographical nature and recurring motif of the sac found throughout the work of Jules Jackson in Good Luck Jules at COOP Gallery, Nashville.
Margaret Jane Joffrion reviews the autobiographical nature and recurring motif of the sac found throughout the work of Jules Jackson in Good Luck Jules at COOP Gallery, Nashville.
Jennifer Dudley speaks with photographer Kristine Potter on mediums, a green curtain, and the variety within Kristine Potter: Dark Waters , on view at The Momentary in Bentonville, AK until October 11.
Margaret Jane Joffrion reviews the feeling montages and logic of colors found in Dance in the waterfall at Red Arrow, Nashville.
Joe Nolan reviews the 2D and 3D twists on Greek mythology found in Fountain by Duncan McDaniel at The Parthenon, Nashville.
Blair LeBlanc speaks with Earthen Clay on the interdependence of connection and feedback between two grounds, along with creating spaces for joy against oppressive odds.
Margaret Jane Joffrion reviews the non-stop energy found in Insider, a solo exhibition by Halle Ballard at Elephant Gallery, Nashville.
Joe Nolan reviews Nashville Hot Summer, a recent group exhibition at Red Arrow Gallery.
Rachel Ebio addresses incarceration, family, and resilience in her review of Fifteen, a solo exhibition by Omari Booker at Elephant Gallery, Nashville.
Maria Owen visits the studio of Nashville-based painter Alex Kimball whose work relies on sorting through scrap and finding meaning in fragments.