John Akomfrah: The Hour Of The Dog at the Menil Collection, Houston
Daryl Meador reviews John Akomfrah’s six-screen audio-visual installation The Hour Of The Dog, on view at The Menil Collection, Houston.
Daryl Meador reviews John Akomfrah’s six-screen audio-visual installation The Hour Of The Dog, on view at The Menil Collection, Houston.
Jana La Brasca reviews Mary Ellen Carroll’s solo exhibition Mary Ellen Carroll: How To Talk Dirty and Influence People at Contemporary Arts Museum Houston, Houston.
Philip Kelleher-Rios reviews the collaborative, embodied qualities of Raheleh Filsoofi’s Deep Listening and Raheleh Filsoofi and Reza Filsoofi’s Listening: The Fourth String at the Ismaili Center, Houston.
Rian (Raven) Crane reviews Jamie Robertson’s otherworldly wetland images in soft heat at Houston Center for Photography, Houston.
Burnaway takes a close look at Clutch City Craft at Houston Center for Contemporary Craft, Houson.
Philip Kelleher-Rios reviews the abstract distortions across the paintings, pigment transfers, and readymade objects found in Triple Hits at Barbara Davis Gallery, Houston.
Max Tolleson sits down to talk with Houston-based artist Eli Greene about art historical figures, teaching darkroom photography, and relating to time and place through abstraction in her image-based and performance work.
Courtney McClellan considers a proposition on aura in The Space Between Looking and Loving: Francesca Fuchs and the de Menil House at The Menil Collection, Houston.
May Howard reviews Sindhu Thirumalaisamy’s concrete stories, alongisde a collaboration with multimedia artist Ahimsa Timoteo Bodhrán, at Aurora Picture Show, Houston.