In September’s co-publishing initiative with Oxford American, Zahrah Butler reflects on the work of Tay Butler, a Houston-based artist who examines the commodification of Black athletes and soldiers.
In this GHOST theme feature, Emile Mausner examines Dario Robleto’s materially-rich sculptures, where melted bullet led and ring-finger bones evoke ghosts of the Civil War.
In our inaugural release of the GHOST theme, Valentin Diaconov traces the practice of larí garcia, who utilizes objects within their installations as a postscript to loss and grief.
In July’s co-publishing partnership with Oxford American, Daniel Fuller travels around Houston on a John T. Biggers mural tour, detailing the artist’s legacy left around the city.
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
In June’s co-publishing partnership with Oxford American, UFO enthusiast and author Will Clarke goes behind the scenes at Rice University’s 2025 Archives of the Impossible Conference in Houston, Texas.
Zahrah Butler interviews Houston-based artist Anthony Suber on his community-based work through the Black Man Project, the abstraction of identity through masking, and hopes for the future.
Jeremy Johnson visits the Houston-based studio of Corey De’Juan Sherrard Jr. to discuss internet nostalgia, Black abstraction, and collective world-building.
May Howard reviews Designing Motherhood, a timely exhibition on the material history of human reproduction at Houston Center of Contemporary Craft, Houston.
