Burnaway

Sara Lee Burd reviews Bethany Collins' solo exhibition at the Frist Art Museum which she finds both intellectually and emotionally resonant.

Elisa Turner examines Where Water and Rock Collide by Wendy Wischer, part of Natural Transcendence now on view at Oolite Arts.

Burnaway’s bi-weekly news roundup includes the announcement of a fellowship program for U.S. Latinx artists supported by the Ford and Mellon foundations, the High Museum's upcoming exhibition exploring the rise of self-taught artists, and more.