Kristina Kay Robinson visits the studio of Matthew Rosenbeck, a multidisplinary artist working in New Orleans who repurposes salvaged, found materials.
Emily Alesandrini reviews Sadie Sheldon's solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
