Merin McDivitt reviews Southern Grammar, an exhibition exploring the Black Southern experience in the work of three contemporary artists at Ella West Gallery, Durham.
For Burnaway's TRICKSTER theme feature, Isabella Marie Garcia considers parafiction as a tool in the conceptual practice of Najja Moon, where artist and basketball player collide.
In October’s co-publishing initiative with Oxford American, Lauren Stroh contextualizes The Angolite, the Southern penal press in the era of mass incarceration.
