Tara Escolin reviews the decade of unpublished work and revision found in Ron Ewert’s exhibition I’ll Keep it with Mine, at Good Weather in Little Rock.
In July’s co-publishing partnership with Oxford American, Leo Shannon writes on the flood-salvaged recordings of Morgan Sexton, the East Kentucky banjo legend.
Anna Nelson-Daniel reviews Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah.
