Mahari Chabwera, I am fluid, I embrace my tides, Isis guide my rise, 2020, Tempered glass, cowrie, gemstone, acrylic and oil tapestry painting. Courtesy of the Artist and 1708 Gallery, photograph by David Hale.Photo courtesy of Chip Jackson.
The works inthis exhibition undo the oppressive sublimation and depression of Blackness. They radiate energy that sources and beholds the incomprehensible complexity of Black bodies, Black femininity, Black energy, Black mystery, Black celebration, Black adaptability, and the eternally creative Black reality. In this sensory and contemplative exhibition, a symbolic, vaginal-like passage protects, reveals, births, and cleanses the way for the exhibition itself. Primordial Emanations, that which is brought forth follows the womb: a surrender to her luminous blackness allows us reentry into a symbolic space of infinite creation. The birth portal must be pathed individually, rooting the inherent intention of the project to allow for a safe, socially distant viewing that will be moderated and paced organically.
—Chabwera and Myers (from exhibition text)
Hampton Boyer, Artifacts for Reflection, 2020, Oil, acrylic, paper and muslin on canvas. Courtesy of the Artist and 1708 Gallery, photograph by David Hale.
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Mahari Chabwera, La Mujer Salvaje Triptych (Part 1: Dadme la muerte que me falta, Part 2: La mujer salvaje, Part 3: I can feel my wings spreading), 2020, Oil, acrylic, and fabric on canvas. Courtesy of the Artist and 1708 Gallery, photograph by David Hale.
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Primordial Emanations: that which is brought forth follows the womb: a surrender to her luminous blackness, 2020, Exhibition detail. Courtesy of the Artists and 1708 Gallery, photograph by David Hale.Primordial Emanations: that which is brought forth follows the womb: a surrender to her luminous blackness, 2020, Exhibition view. Courtesy of the Artists and 1708 Gallery, photograph by David Hale.
Kristina Kay Robinson visits the studio of Matthew Rosenbeck, a multidisplinary artist working in New Orleans who repurposes salvaged, found materials.
Tyra Douyon visits the studio of Tim Short, a narrative painter based in Stone Mountain, Georgia, to speak on the imaginative and metaphysical iconography tied to Blackness.
Francess Archer Dunbar highlights the Trail Skate Park, a skate park which sits on the Miccosukee Reservation in central South Florida, that serves as a vital community space at crucial junctures in the Everglades' environmental history.
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