In the Studio with Nathaniel Donnett
Zahrah Butler visits the Houston studio of cultural practitioner Nathaniel Donnett to discuss music, locality, and abstractions of the Black experience.
BA DAILY
Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation at Zuckerman Museum of Art, Kennesaw
Claire Dempster reviews the materially rich rainbow and re-contextualization of garments in Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation at Zuckerman Museum of Art, Kennesaw.
Call for Artists: December 2024
Our monthly round of opportunities includes public art calls across North Carolina and Georgia, a summer studio artist-in-residence program in Tennessee, and a jazz and heritage fellowship grant based in New Orleans.
Round 57: Southern Survey Biennial II at Project Row Houses, Houston
Lauren Stroh reviews the second iteration of the Southern Survey Biennial, a snapshot of contemporary art in the South, at Project Row Houses, Houston.
Lee Pivnik’s Chimeras at Dale Zine, Miami
Monica Uszerowicz reviews the speculative interspecies sculptures and lens-based prints in mangrove swamps scattered throughout Lee Pivnik’s Chimeras at Dale Zine, Miami.
Rose Salane: Fission, or Eclipse at The Athenaeum at the University of Georgia, Athens
Carlos Nunez reviews the invisible data and material preservation found in Rose Salane’s Fission or, Eclipse at The Athenaeum at the University of Georgia, Athens.
Ruth Owens: Kidnapped on a Sunny Day at the Ohr-O’Keefe Museum of Art, Biloxi
Emily Alesandrini reviews the quilting together of subjects and family lore found in Ruth Owens:Kidnapped on a Sunny Day at the Ohr-O’Keefe Museum of Art, Biloxi.
In the Studio with Ben Depp
Amy Kennedy visits the New Orleans studio of photographer Ben Depp, reflecting on his aerial documentation of Louisiana, the impact of climate change on coastlines, and Southern landscapes.
By dawn’s early light at The Nasher Museum of Art at Duke University, Durham
Courtney Napier reviews the importance of constitution and truth to American life found in By dawn’s early light at The Nasher Museum of Art at Duke University, Durham.
