From 1936 to 1967, during the Jim Crow era, Black American road-trippers referenced a guidebook, The Negro Motorist Green Book, also known as The Green Book, to identify businesses, including hotels, restaurants, state parks, beauty parlors, and nightclubs, that were nondiscriminatory and welcoming. In Derrick Adams: Sanctuary, this reference material serves as inspiration to reimagine safe destinations for the Black American traveler in an exhibition featuring mixed-media collage and sculpture.
In his continued exploration of Black refuge and leisure, and during a time when uneven law enforcement continues to negatively shape the experiences of Black Americans, Adams also offers a space to reflect on the importance, and at times political act, of having the freedom to go wherever you want.
Burnaway’s bi-weekly news roundup includes the announcement of increased base pay for hourly employees at the Nelson-Atkins Museum of Art and a ruling by the Virginia Supreme Court to remove a Confederate monument of Robert E. Lee.
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