Charly Palmer, Becoming; Acrylic on canvas, 50 x 62 inches.
Charly Palmer, Black Jesus; Mixed Media, 40 x 22 x 6 inches.
Installation of Departure by Charly Palmer at the Hammonds House Museum. Photography by Brian L. Christian.
Departure by Charly Palmer is a retrospective of thirty years of art infused with experience, an identity crisis, divided states, eminent domain, introversion, and a deepening appreciation for Black beauty. He is currently exploring the multiple meanings of departure from the time of the Middle Passage, through the Civil War and Civil Rights Movement, up until now. What does that mean for Black people, and what does it mean for him personally as he embarks on a new and unexpected direction to discover what’s next. The exhibition serves as a bridge between his older work and newer paintings, and includes mixed media and sculptural elements.
from the exhibition text
Installation of Departure by Charly Palmer at the Hammonds House Museum. Photography by Brian L. Christian.
Charly Palmer, Eminent Domain 2 – Memphis; Acrylic on canvas, 30 x 40 inches.
Charly Palmer, Man Next; Acrylic on canvas, 40 x 30 inches.
Installation of Departure by Charly Palmer at the Hammonds House Museum. Photography by Brian L. Christian.
Installation of Departure by Charly Palmer at the Hammonds House Museum. Photography by Brian L. Christian.
Charly Palmer, Release Me; Acrylic on canvas, 50 x 62 inches.
Charly Palmer, Telepath; Acrylic on canvas, 50 x 62 inches.
Installation of Departure by Charly Palmer at the Hammonds House Museum. Photography by Brian L. Christian.
Noah Simblist reviews the multitude of abstraction's meanings and uses in Beyond the Frame: Abstraction Reconstructed, a Two-Person Exhibition Featuring Denzil Hurley and Reginald Sylvester II at CANADA, New York
Charlotte Foreman visits the studio of Julia García, discussing the influence of the Floridian landscape, internet source imagery, and the generous use of water in her work.
