Installation view of David Gumbs: From Dust to Gold at theJepson Center in Savannah. Photo by David Kaminsky
Installation view of David Gumbs: From Dust to Gold at theJepson Center in Savannah. Photo by David Kaminsky
Installation view of David Gumbs: From Dust to Gold at the Jepson Center in Savannah. Photo by David Kaminsky
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This exhibition represents the first U.S. solo exhibition by Caribbean artist David Gumbs, featuring immersive, interactive digital installations and drawings. Gumbs is a multi-disciplinary artist from the island of Saint Martin, currently based in Martinique. Inspired by Caribbean flora, fauna, history, and mythology, Gumbs’ work often is concerned with “the offscreen of perception, the cycle of life, the visible and invisible.”
from the exhibition text
Installation view of David Gumbs: From Dust to Gold at theJepson Center in Savannah. Photo by David Kaminsky
Installation view of David Gumbs: From Dust to Gold at theJepson Center in Savannah. Photo by David Kaminsky
Installation view of David Gumbs: From Dust to Gold at theJepson Center in Savannah. Photo by David Kaminsky
Installation view of David Gumbs: From Dust to Gold at theJepson Center in Savannah. Photo by David Kaminsky
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Installation view of David Gumbs: From Dust to Gold at the Jepson Center in Savannah. Photo by David Kaminsky
David Gumbs: From Dust to Gold is on view at the Jepson Center in Savannah, Georgia.
Renee Royale explores the work of Martinique-based artist David Gumbs, who reframes the lived environment and considers Caribbean relational histories through reactive light and crochet installations.
May Howard visits the Houston studio of Dominique Muñoz, speaking together on textiles inherited from loved ones, experimenting with cyanotypes, and what it means to weave an image.
Leah Solomon outlines artist Leah Jaynes Karp's 1982 mixed media series, made in response to the Atlanta Child Murders of 1979-1981, for Burnaway's STORM SIGNAL theme.
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