Greely Myatt, Broadway Boogie Woogie, 2018; reclaimed wood and steel, 45 by 43 by 5 inches. All images courtsey of David Lusk Gallery.
Tad Lauritzen Wright, Perceived, Remembered, Imagined, Distorted and Clarified, 2019; acrylic, ceramic and cinder blocks, various sizes.
Installation view of Tim Crowder’s Small Paper and Wood Projects at David Lusk Gallery.
Maysey Craddock, Trophy, 2019; wood, flashe and gouache, 30 by 24 by 16.6 inches.
Comprised of everything from found sports equipment to reclaimed wood and vintage tools, Tactile Response highlights 6 dynamic installations that speak to communal experience, our changing environment, the history of craft, and unusual perspectives.
from the accompanying exhibition text
Tim Crowder, Small Paper and Wood Project 5, 17, and 18 (from left to right), 2020; mixed media, various sizes.
Brandon Donahue, Basketball Bloom (Rawlings), 2019; basketballs and shoestrings, 36 by 36 inches.
Tim Crowder, Small Paper and Wood Project 9, 2020; mixed media, 9.5 by 5 by 3.5 inches.
Tactile Responsewill be virtually on view at David Lusk Gallery in Nashville through June 27th. The Nashville Gallery Association will present the 2nd Virtual Art Crawl on Saturday, June 20th.
Merin McDivitt reviews Southern Grammar, an exhibition exploring the Black Southern experience in the work of three contemporary artists at Ella West Gallery, Durham.
In a special week-long editorial series on zines in anticipation of Burnaway's Book//Zine fair, Florida-based artist Paul Shortt speaks to the art of tabling a zine fair.
Heather Bird Harris reviews Mona Bozorgi and Tokie Rome-Taylor’s dialogue of alternative image-making in from within, so together at Swan Coach House Gallery, Atlanta.
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