Greely Myatt, Broadway Boogie Woogie, 2018; reclaimed wood and steel, 45 by 43 by 5 inches. All images courtsey of David Lusk Gallery.
Tad Lauritzen Wright, Perceived, Remembered, Imagined, Distorted and Clarified, 2019; acrylic, ceramic and cinder blocks, various sizes.
Installation view of Tim Crowder’s Small Paper and Wood Projects at David Lusk Gallery.
Maysey Craddock, Trophy, 2019; wood, flashe and gouache, 30 by 24 by 16.6 inches.
Comprised of everything from found sports equipment to reclaimed wood and vintage tools, Tactile Response highlights 6 dynamic installations that speak to communal experience, our changing environment, the history of craft, and unusual perspectives.
from the accompanying exhibition text
Tim Crowder, Small Paper and Wood Project 5, 17, and 18 (from left to right), 2020; mixed media, various sizes.
Brandon Donahue, Basketball Bloom (Rawlings), 2019; basketballs and shoestrings, 36 by 36 inches.
Tim Crowder, Small Paper and Wood Project 9, 2020; mixed media, 9.5 by 5 by 3.5 inches.
Tactile Responsewill be virtually on view at David Lusk Gallery in Nashville through June 27th. The Nashville Gallery Association will present the 2nd Virtual Art Crawl on Saturday, June 20th.
Colony Little interviews Steven Cozart and Roymieco Carter about The Chop Shop, a collective of Black and Brown male artists who joined forces virtually in 2020 to share their work and engage in meaningful conversations.
On a drive down to the the tip of Florida, Carolina Porras Monroy and and Alicia Toldi of Piney Wood Atlas talk about the spirit of Southern artist residencies, born from the DIY culture of rural environments and sustained by communities on the front lines of climate change and political threat.
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