Fallen Fruit, The Endless Orchard, Creative Capital, 2016; archival pigment print, 60 by 40 inches.
Fallen Fruit, Adam and Eve with Mangoes, Estas Como Mango, 2015; archival pigment print, 30 by 24 inches.
Fallen Fruit is an art collaboration originally conceived in 2004 by David Burns, Matias Viegener and Austin Young. Since 2013, David and Austin have continued the collaborative work. Fallen Fruit‘s photography developed by mapping fruit trees growing on or over public property in Los Angeles. Fallen Fruit‘s photography collaboration has expanded to include serialized public projects and site-specific installations and happenings in various cities around the world. By always working with fruit as a material or media, the catalogue of photography projects and works reimagine public interactions with the margins of urban space, systems of community and narrative real-time experience.
— From the accompanying text
Fallen Fruit, Male Pinup (Detail of The Practices of Everyday Life); 2016; archival pigment print, 24 by 48 inches.
Fallen Fruit, Estás Como Mango / Puerto Vallarta, (commissioned by OPC), 2015; archival pigment print, 60 by 40 inches.
Fallen Fruit, It Happens to Everyone Someday, 2016; archival pigment print, 36 by 30 inches.
Fallen Fruit, The French Quarter / New Orleans (commissioned by Newcomb Art Museum), 2018; archival pigment print, 60 by 40 inches,.
Fallen Fruit, God Bless our Home, 2019.
Installation view of Fallen Fruits at Jackson Fine Art, Atlanta.
Installation view of Fallen Fruits at Jackson Fine Art, Atlanta.
Fallen Fruit, I AM POWERFUL, 2019.
Fallen Fruitremains on view at Jackson Fine Art in Atlanta, Georgia, through June 29.
Merin McDivitt reviews Asheville's Blue Spiral 1's Outside the Lines, where artists adopt an irreverent approach to surfaces, creating overlapping layers of meaning through unexpected textures and lines, as well as revelations of color and contour.
Our monthly round up of opportunities includes an invitation to submit small works for an upcoming show in Sarasota, a call to create artwork for a multicultural senior center in Florida, and the 1858 Prize for Contemporary Southern Art.
