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Deborah Roberts: I’m at The Cummer Museum of Art & Gardens, Jacksonville

Jessica Borusky reviews Deborah Roberts: I’m at the Cummer Museum of Art & Gardens in Jacksonville, Florida.

Leia Genis considers Get Well Soon, a digital project documenting well wishes on crowdfunding websites, hosted by Dimensions Variable in Miami.

Emily Llamazales considers speed and ferocity in Wilay Méndez Paez’s Collision at Day & Night Projects in Atlanta.

Kayla Goggin finds visual unity but a lack of tension in the group exhibition 3-Sided Square at Marcia Wood Gallery in Atlanta.

Paul Michael Brown reviews Loose Nuts: Bert Hurley’s West End Story at the Speed Art Museum in Louisville, Kentucky.

Joe Nolan reviews Beizar Aradini’s recently closed exhibition Mashallah, Mashallah, Mashallah at The Electric Shed in Nashville.

Logan Lockner reviews Parallel, a group exhibition curated by Teresa Bramlette Reeves at Whitespace in Atlanta.

Daniel Fuller considers the elaborately crafted, customized caskets—known as abeduu adekai, or “proverb boxes”—created by Ghanaian artist Paa Joe.

Artist Joel Dean reviews a solo exhibition by Brandon Ndife, considering what it means to view art during global catastrophe.