Installation view of Anna Betbeze: Forms Like Dreams at Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Head, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 3, 2021; Gouache, dyes, pigments, and foil on paper 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Stage, 2021; framed archival print, 24 x 36 inches. Image courtesy of the artist and Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 6, 2021; Gouache, dyes, pigments, and foil on paper, 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Bunny #2, 2021; framed archival print 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Ripe), 2021; wool acid dyes, ash from burning, 139 x 120 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Shoes, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Slipping (in 3 parts), 2021; Gouache, dyes, and gesso on paper 41 x 27.5 inches (each). Image courtesy of the artist and Nina Johnson, Miami.
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
Seen through the work of artists Sofía Gallisá Muriente and Hope Strickland, Daisy Gould considers how hurricanes and storms influence Caribbean moving image practices.
Our monthly round of opportunities includes a resident artist program for craft artists in Penland, a residency in Knoxville, and an open call for installation-based solo exhibitions in Miami,
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