Installation view of Anna Betbeze: Forms Like Dreams at Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Head, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 3, 2021; Gouache, dyes, pigments, and foil on paper 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Stage, 2021; framed archival print, 24 x 36 inches. Image courtesy of the artist and Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 6, 2021; Gouache, dyes, pigments, and foil on paper, 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Bunny #2, 2021; framed archival print 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Ripe), 2021; wool acid dyes, ash from burning, 139 x 120 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Shoes, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Slipping (in 3 parts), 2021; Gouache, dyes, and gesso on paper 41 x 27.5 inches (each). Image courtesy of the artist and Nina Johnson, Miami.
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
Anna Nelson-Daniel reviews Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah.
Our monthly round of opportunities includes a resident artist program for craft artists in Penland, a residency in Knoxville, and an open call for installation-based solo exhibitions in Miami,
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