Installation view of Anna Betbeze: Forms Like Dreams at Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Head, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 3, 2021; Gouache, dyes, pigments, and foil on paper 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Stage, 2021; framed archival print, 24 x 36 inches. Image courtesy of the artist and Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 6, 2021; Gouache, dyes, pigments, and foil on paper, 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Bunny #2, 2021; framed archival print 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Ripe), 2021; wool acid dyes, ash from burning, 139 x 120 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Shoes, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Slipping (in 3 parts), 2021; Gouache, dyes, and gesso on paper 41 x 27.5 inches (each). Image courtesy of the artist and Nina Johnson, Miami.
Burnaway takes a close look at where the rivers run muddy and the mountains are bare: The 2025 KMAC Triennial at KMAC Contemporary Art Museum, Louisville.
Isabella Marie Garcia visits the studio of Smita Sen to discuss new work that is exploring the heart, emotions in response to the evolution of a place, and performance between Miami and New York City.
In August’s co-publishing partnership with Oxford American, Katie Jane Fernelius dives into how Louisianans are organizing to transform the stores their communities rely on.
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