Installation view of Anna Betbeze: Forms Like Dreams at Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Head, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 3, 2021; Gouache, dyes, pigments, and foil on paper 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Stage, 2021; framed archival print, 24 x 36 inches. Image courtesy of the artist and Nina Johnson, Miami. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Forms Like Dreams) 6, 2021; Gouache, dyes, pigments, and foil on paper, 21.5 x 17.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Bunny #2, 2021; framed archival print 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Untitled (Ripe), 2021; wool acid dyes, ash from burning, 139 x 120 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Shoes, 2021; framed archival print, 30.5 x 20.5 inches. Image courtesy of the artist and Nina Johnson, Miami.
Anna Betbeze, Slipping (in 3 parts), 2021; Gouache, dyes, and gesso on paper 41 x 27.5 inches (each). Image courtesy of the artist and Nina Johnson, Miami.
Renee Royale explores the work of Martinique-based artist David Gumbs, who reframes the lived environment and considers Caribbean relational histories through reactive light and crochet installations.
Leah Solomon outlines artist Leah Jaynes Karp's 1982 mixed media series, made in response to the Atlanta Child Murders of 1979-1981, for Burnaway's STORM SIGNAL theme.
Bryn Evans joins Marguerite (Margy) Adams and Joslyn Gardner—the cofounders of Emory University’s Black Feminist Working Group—to discuss The Ballad of Suzanne Césaire (2024) and the film's engagement with sound and camouflage.
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