Sadie Sheldon: briefly at Sibyl Gallery, New Orleans
Emily Alesandrini reviews Sadie Sheldon’s solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
Emily Alesandrini reviews Sadie Sheldon’s solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
Angie Toole Thompson reviews The Third Annual Queer Arts Initiative Showcase at Good Art Co. in Greenville, South Carolina—an exhibition that holds feelings of joy, humor, horror, and rage in balance–alongside an unbeatable determination to thrive.
Our monthly round of opportunities includes a a residency in Knoxville, a juried exhibition in New Orleans, and a guest curator program in Chattanooga.
Burnaway takes a close look at Hoa Tay (Flower Hands) at the Ogden Museum of Southern Art, New Orleans.
Christal Reese visits the Atlanta-based studio of Honey Pierre to speak on the medium of punch needle, replanting oneself, and reclaiming rest.
E.C. Flamming visits the Atlanta-based studio of Kole Nichols to discuss the value of embracing imperfections and the pathway between spaces.
Colony Little reviews North Carolina Museum of Art’s presentation of Ekow Eshun’s The Time is Always Now, bringing together 23 African diasporic artists who render Black subjectivity, identity, and interiority while subverting notions of the gaze.
Our monthly round of opportunities includes an arts writers grant supporting critical writing, a studio residency in Key West, and an open call for a permanent outdoor mural in Yadkinville, North Carolina.
Francess Archer Dunbar reviews Diego Alejandro Waisman’s Sunset Colonies at the Patricia & Phillip Frost Art Museum at Florida International University, Miami, which uses photography and archival materials to preserve the overlooked histories of South Florida’s mobile home communities.