Speaking in Color: Olga de Amaral at Institute of Contemporary Art, Miami
Rosa Boshier Gonzàlez reviews the relationship between natural materials and the attention of a human’s touch in Olga de Amaral at Institute of Contemporary Art, Miami.
BA DAILY
Call for Artists: October 2025
Our monthly round up of opportunities includes the PhotoWork Junior Fellowship, a semester-long residency program in Little Rock, and an artist residency in the Dominican Republic.
Making Connections: Art, Place, and Relationships at the Weatherspoon Art Museum, Greensboro
Justin Chance reviews Making Connections, an exhibition showcasing the Weatherspoon Art Museum’s permanent collection and highlighting the contributions of Greensboro community members in shaping the museum.
Maaliyah Symoné: Ritual Rest at The Front, New Orleans
Quinn Foster reviews the revolutionary healing found in Ritual Rest, an exhibition and performance ritual by Maaliyah Symoné at The Front, New Orleans.
MAR ADENTRO at Museo de Arte Contemporáneo de Puerto Rico, San Juan
Burnaway takes a close look at MAR ADENTRO at Museo de Arte Contemporáneo de Puerto Rico, San Juan.
Calls for Artists: September 2025
Our monthly round up of opportunities includes an invitation to submit small works for an upcoming show in Sarasota, a call to create artwork for a multicultural senior center in Florida, and the 1858 Prize for Contemporary Southern Art.
Linger on the Surface: Outside the Lines at Blue Spiral 1, Asheville
Merin McDivitt reviews Asheville’s Blue Spiral 1’s Outside the Lines, where artists adopt an irreverent approach to surfaces, creating overlapping layers of meaning through unexpected textures and lines, as well as revelations of color and contour.
Brayan Enriquez: Like Hills Made of Sand at Atlanta Center for Photography, Atlanta
Noah Reyes reviews the archival and contemporary reunion of family found in the photographs of Brayan Enriquez: Like Hills Made of Sand at Atlanta Center for Photography, Atlanta.
Matrilineal at Couchpotato Gallery, Louisville
Lindsey Cummins reviews the tug of war between the digital public and personal breadcrumbs found in Matrilineal at Couchpotato Gallery, Louisville.
