“The point is not to come and meet me as an artist; the point is to come and meet yourself and have me as an example of what resting becomes. That’s why as soon as you walk in you are met with a mirror as a portal of seeing yourself.”
Burnaway takes a close look at MAR ADENTRO at Museo de Arte Contemporáneo de Puerto Rico, San Juan.
Our monthly round up of opportunities includes an invitation to submit small works for an upcoming show in Sarasota, a call to create artwork for a multicultural senior center in Florida, and the 1858 Prize for Contemporary Southern Art.
Merin McDivitt reviews Asheville’s Blue Spiral 1’s Outside the Lines, where artists adopt an irreverent approach to surfaces, creating overlapping layers of meaning through unexpected textures and lines, as well as revelations of color and contour.
Noah Reyes reviews the archival and contemporary reunion of family found in the photographs of Brayan Enriquez: Like Hills Made of Sand at Atlanta Center for Photography, Atlanta.
Lindsey Cummins reviews the tug of war between the digital public and personal breadcrumbs found in Matrilineal at Couchpotato Gallery, Louisville.
Burnaway welcomes submissions from Southern/Caribbean-based artists, designers, and researchers for the next cycle of our artist column, Mood Ring!
Our monthly round up of opportunities includes a $50k fellowship and artist grants for artists based in North Carolina, a granting program for Tennessee artists, and live-work studio residencies in Texas.
Thalia Butts reviews the extravagant portrayals and traditions of HBCU marching bands found in Keith Duncan: Battle of the Bands, The HBCU Marching Band Series at the Ogden Museum of Southern Art, New Orleans.
