Burnaway and the Caribbean Cultural Center African Diaspora Institute (CCCADI) are pleased to announce our new collaboration: Care in Precarity, an open call for Caribbean writers to reflect on practices of care in the context of climate-based instability and crisis.
Zeny May Recidoro reviews Njeri Kinuthia’s exhibition Ukombozi: Reclaiming Place and Self, an homage to her Kenyan homeland, and to her self, currently on view at the Dale Mabry Gallery, Tampa.
Artist, curator, and writer Paul Bright visits the Greensboro studio of Mariam Aziza Stephan, a painter using abstract landscapes to explore themes of loss.
Dr. Allison K. Young reviews the serene and sacred practice of Cristina Molina in her solo exhibition Tell it to the River at Other Plans, New Orleans.
Our monthly round of opportunities includes an experimental studio residency in Baton Rouge, an open call for large-scale outdoor installations in Kentucky, and a master’s graduate application for art education in Atlanta.
Burnaway announces Book//Zine, our first annual art book and zine fair. Book//Zine will be in Atlanta at The Goat Farm on October 11, 2025.
Charlotte Foreman visits the studio of Julia García, discussing the influence of the Floridian landscape, internet source imagery, and the generous use of water in her work.
Lindsey Cummins reviews the multimodal assemblages by Hannah Smith in her solo exhibition Fool’s Gold at Houseguest Gallery, Louisville.
Noah Reyes reviews You’re The Man Now, Dog, a comedic exhibition by Matthew Flores at Cleo the Project Space, Savannah.
