Burnaway takes a close look at Space Makers: Indigenous Expression and a New American Art, at Crystal Bridges Museum of American Art, Bentonville.
Daniel Fuller reviews Shinichi Sawada’s first US solo museum exhibition, a collection of the artist’s small, fantastical, and otherworldly ceramic creatures.
Heather C. MacRae visits the Savannah-based studio of Ben Tollefson to discuss the idea of frivolity, theater motifs, and gender as performance.
Alyssa Velazquez visits the Conway-based studio of Jeremy R. Brooks to talk about elastic clay, kink, and the sensuality behind crocheting and ceramics.
Jackson Markovic reviews the presence of death and queer eulogies to past generations found in Jacob Todd Broussard’s Deathbed Scene at Wolfgang Gallery, Atlanta.
E.C. Flamming visits the studio of Atlanta-based artist Kate Burke to speak on the relationship between time and craft, and how to confront the new Gods of the digital age.
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Joe Craig reviews the gradients and prismatic showpieces found in Bonnie Maygarden’s Rainbow’s Bend at Ferrara Showman Gallery, New Orleans.
Our monthly round of opportunities includes juried exhibition calls in North Florida, subsidized studios for lens-based artists in Atlanta, and an artist residency in Knoxville.
