Elly Reitman: energy at Bad Water, Knoxville
Maria Owen reviews sensory exchange and the study of constant movement as found in Elly Reitman’s energy at Bad Water, Knoxville.
BA DAILY
“Did Your Mother Work at the Castle?” at Lowe Mill ARTS & Entertainment, Huntsville
Whitney Washington reviews Kathryn Jill Johnson’s expressionism in “Did Your Mother Work at the Castle?” at Lowe Mill Arts & Entertainment, Huntsville.
Patterns in Abstraction: Black Quilts from the High’s Collection at the High Museum of Art, Atlanta
Thalia Butts reviews the testimony of quilts found in Patterns in Abstraction: Black Quilts from the High’s Collection at the High Museum of Art, Atlanta.
Trenity Thomas: Little Me Would be Proud at The Front, New Orleans
Emily Alesandrini reviews the stories and names for every detail found in Trenity Thomas: Little Me Would be Proud at The Front, New Orleans.
In the Studio with Patrizia Ferreira
Susanna Klingenberg visits the studio of Raleigh-based artist Patrizia Ferreira to discuss her hand-stitched “fragile, collapsing creations” that speak to the human experience.
Call for Artists: September 2024
Our monthly round of opportunities includes an artist and writer residency in Corsicana, a $50K fellowship for North Carolina artists, and summer 2025 residencies in Virginia and France.
Bless Your Heart at 123 West Main Gallery, Johnson City
Robert Alan Grand reviews the photographic interpretations of Appalachian sensibilities found in Bless Your Heart at 123 West Main Gallery, Johnson City.
In Conversation with Ky Beaux
Quinn Foster talks with Louisiana-based artist Ky Beaux on his digital artwork, the rich energy of Opelousas, and hip-hop love.
In the Studio with Kelsey Merreck Wagner
Samantha Oleschuk visits Kelsey Merreck Wagner’s studio in western North Carolina to discuss her weavings, often made from discarded materials, and how the artist sometimes comically becomes “an icon of trash collection.”
