What the Walls Remember: UNTITLED by Petie Parker at Old Rabbit Gallery, Atlanta
Montenez Lowery reviews the acts of obscuring found in UNTITLED, Petie Parker’s solo exhibition at Old Rabbit Gallery, Atlanta.
Montenez Lowery reviews the acts of obscuring found in UNTITLED, Petie Parker’s solo exhibition at Old Rabbit Gallery, Atlanta.
Tara Escolin visits the Atlanta-based studio of Jackson Markovic to discuss his practice of analogue photography and documenting Atlanta’s dance scene.
Our monthly round up of opportunities includes a forest residency in Kentucky, a juried exhibition in Ruston, Louisiana, and a poster design competition in South Charleston.
Jackson Markovic reviews 5 Mountain Dews, Ross Landenberger’s solo exhibition of color field photographs exposed with soda, at THE END Project Space, Atlanta.
Whitney Washington reviews the history and practice of ceremonial costuming in New African Masquerades: Artistic Innovations and Collaborations at the Frist Art Museum, Nashville.
Burnaway is excited to announce our third Artist Edition ‘Untitled (Studio View)’, a flag made by Atlanta-based artist Antonio Darden.
Mario Andrés Rodriguez reviews the sustainable re-representations of the Florida Everglades in Weathering, a solo exhibition by Alissa Alfonso at Miami Beach Botanical Garden, Miami Beach.
Burnaway is delighted to continue our tradition of elevating Southern artists by partnering with Sheet Cake Gallery on a solo exhibition of work by Clare Torina at NADA Miami from December 2-6.
Noah Reyes reviews the methods in which the natural world is noticed and harnessed in Rustle at Blue Boy, Savannah.