Quinn Foster reviews Prairie Stories: Art and Ecological Restoration on Louisiana’s Prairies, sharing the powerful connections between art, activism, nature, and storytelling at the Acadiana Center for the Arts, Lafayette.
Announcing Burnaway’s 2025 Art Writing Incubator, Your Voice is Personal! Applications open now until May 16.
Samantha Oleschuk reviews Andréa Keys Connell’s solo exhibition at Artspace in Raleigh, NC, one that gestures to the multiplicity of maternal experience.
Jackson Markovic reviews the technicolor processing of the psyche in Jayne County’s Electric Dreams at Emory University’s Visual Arts Gallery, Atlanta.
Whitney Washington reviews the disarticulation and dream world created by John Paul Kesling in his solo exhibition Lean-To at Lowe Mill ARTS & Entertainment, Huntsville.
Burnaway announces Artist’s Editions, a short-run of art objects by Southern and Caribbean artists, kicking off with Wrangle Cowboy Poker Set by Shawn Campbell.
E.C. Flamming visits the Atlanta-based studio of Heather Bird Harris to discuss her collaboration with scientists, the agency in using site-specific materials, and the evolving role of her children’s hand in her work.
Our monthly round of opportunities includes a summer residency in Greenville, a fellowship for recent MFA graduates in Austin, and a print biennial in Atlanta.
Burnaway and the Caribbean Cultural Center African Diaspora Institute (CCCADI) are pleased to announce our new collaboration: Care in Precarity, an open call for Caribbean writers to reflect on practices of care in the context of climate-based instability and crisis.
