Namwon Choi: 248 Miles at the Museum of Contemporary Art of Georgia, Atlanta
E.C. Flamming reviews the renderings of road trips taken between a mother and her children in Namwon Choi: 248 Miles at the Museum of Contemporary Art of Georgia, Atlanta.
E.C. Flamming reviews the renderings of road trips taken between a mother and her children in Namwon Choi: 248 Miles at the Museum of Contemporary Art of Georgia, Atlanta.
Maria Owen reviews sensory exchange and the study of constant movement as found in Elly Reitman’s energy at Bad Water, Knoxville.
Whitney Washington reviews Kathryn Jill Johnson’s expressionism in “Did Your Mother Work at the Castle?” at Lowe Mill Arts & Entertainment, Huntsville.
Thalia Butts reviews the testimony of quilts found in Patterns in Abstraction: Black Quilts from the High’s Collection at the High Museum of Art, Atlanta.
Emily Alesandrini reviews the stories and names for every detail found in Trenity Thomas: Little Me Would be Proud at The Front, New Orleans.
Susanna Klingenberg visits the studio of Raleigh-based artist Patrizia Ferreira to discuss her hand-stitched “fragile, collapsing creations” that speak to the human experience.
Our monthly round of opportunities includes an artist and writer residency in Corsicana, a $50K fellowship for North Carolina artists, and summer 2025 residencies in Virginia and France.
Robert Alan Grand reviews the photographic interpretations of Appalachian sensibilities found in Bless Your Heart at 123 West Main Gallery, Johnson City.
Quinn Foster talks with Louisiana-based artist Ky Beaux on his digital artwork, the rich energy of Opelousas, and hip-hop love.