May Howard reviews Sindhu Thirumalaisamy’s concrete stories, alongisde a collaboration with multimedia artist Ahimsa Timoteo Bodhrán, at Aurora Picture Show, Houston.
Zahrah Butler visits the Houston-based studio of Delita Martin to speak about her textured portraits of Black women and crafting a visual narrative with natural iconography.
Merin McDivitt reviews Southern Grammar, an exhibition exploring the Black Southern experience in the work of three contemporary artists at Ella West Gallery, Durham.
Heather Bird Harris reviews Mona Bozorgi and Tokie Rome-Taylor’s dialogue of alternative image-making in from within, so together at Swan Coach House Gallery, Atlanta.
Burnaway is excited to continue our Artist Editions with a bandana by Joy Drury Cox inspired by neighborhood crime watch signs.
Rosa Boshier González reviews the relationship between natural materials and the attention of a human’s touch in Olga de Amaral at Institute of Contemporary Art, Miami.
Our monthly round up of opportunities includes the PhotoWork Junior Fellowship, a semester-long residency program in Little Rock, and an artist residency in the Dominican Republic.
Justin Chance reviews Making Connections, an exhibition showcasing the Weatherspoon Art Museum’s permanent collection and highlighting the contributions of Greensboro community members in shaping the museum.
Quinn Foster reviews the revolutionary healing found in Ritual Rest, an exhibition and performance ritual by Maaliyah Symoné at The Front, New Orleans.
