Blas Isasi and Didier William: La Crítica de Prospect 6 en Nueva Orleans
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi’s 1,001,532 CE and Didier William’s Gesture to Home for Prospect.6, New Orleans.
BA DAILY
In the Studio with Corey De’Juan Sherrard Jr.
Jeremy Johnson visits the Houston-based studio of Corey De’Juan Sherrard Jr. to discuss internet nostalgia, Black abstraction, and collective world-building.
Call for Artists: February 2025
Our monthly round of opportunities includes a craft media residency in Houston, an open call for an Arbor Day mural in Texas, and a disability-focused residency in Raleigh.
Current Speed: Kathia St. Hilaire – Invisible Empires at Speed Art Museum, Louisville
Burnaway takes a close look at Current Speed: Kathia St. Hilaire – Invisible Empires at the Speed Art Museum in Louisville, Kentucky.
In the Studio with Jay Benham
Tara Escolin visits the Arkansas studio of Jay Benham to discuss his performance work, the tradition of Kiowa Ledger painting, and the confluence of two cultures in his practice.
Burnaway Announces Co-Publishing Initiative with Oxford American
Burnaway is thrilled to announce a year-long co-publishing partnership with The Oxford American, a nonprofit arts and media organization that exists to explore the complexity and vitality of the South through exceptional writing, music, and visual art.
Call for Artists: January 2025
Our monthly round of opportunities includes an artist-in-residence program focused on healthcare and healing in Charlotte, an open call to Palm Beach County artists for a 2025 Biennial, and an artist award for woman-identified visual artists residing in Arkansas.
In the Studio with Chechi Udumah
Amina Daugherty visits the studio of Atlanta-based artist Chechi Udumah, speaking on the her layered creative process, surrealism, and the weight of proverbs.
Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida International University, Miami
Isabella Marie Garcia reviews the distillations of nature and visual ekphrasis located throughout the installations in Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida International University, Miami.
