In his first solo exhibition in the United States, South African artist Wim Botha ambivalently embraces and destroys Western art historical iconography.

In advance the opening of her solo exhibition in Richmond, California-based multidisciplinary artist Cauleen Smith speaks with BA about combining research methods and improvisation in her work.

“The general consensus of the contemporary mass media is that the return of religion has emerged as the most important factor in global politics and culture today,” claims critic and theorist Boris Groys in his 2009 e-flux article “Religion in the Age of Digital Reproduction.” Groys goes on to describe this “revival of religion” as being … Continued