Magazine Cats: Out, Utterly

Out, Utterly (3)

the painted image of an otherworldly lavender hued creature, waving its arms upward, the surrounding landscape is soil-like, as if the figure is a planted seed seen from below the ground

tangle of twilight
Spirit in the Land
Nasher Museum of Art

In a new poem, Durham-based poet Destiny Hemphill looks beneath the surface of Wangechi Mutu’s Subterranea Flourish, featured in the Nasher Museum of Art’s exhibition, Spirit in the Land.

a painting of several human-like figures, one with hot pink skin is held like a cross between the multiple figures, resembling depictions of Christ being taken down from the cross. the expression on their face is forlorn but not necessarily sad

Hold / Whole
What Could Have Been Has Not Yet Appeared
Dallas Museum of Art

Out, Utterly

Dallas-based poet Laura Neal delivers a triptych for Naudline Pierre’s first solo exhibition, What Could Have Been Has Not Yet Appeared, at the Dallas Museum of Art.

a larger-bodied Black woman wears a gold and white suit bedazzled in sparkles, that catch the light as she moves across the stage, at this moment the light catches the large pearlescent earring in her ear as she tilts the microphone toward her red lips

Introducing Out, Utterly —
Burnaway’s Poetry Column

Out, Utterly

Embracing the Southern gospel tradition of call and response, Bryn Evans announces the inaugural edition of Out, Utterly, Burnaway’s column for ekphrastic poetry.

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Out, Utterly (3)