The tagline of Gus Van Sant’s new film Don’t Worry, He Won’t Get Far on Foot promises a film about “the healing power of art.” But rather than an exegesis on transformative creativity, Don’t Worry is a gooey, sentimental…

A bold multicolored painting by Pinkney Herbert with large vertical forms comprising various patterns.

The vigorous, highly saturated paintings in “Pinkney Herbert: Tower of Noise,” on view at Sandler Hudson Gallery through July 28, fall somewhere in the lineage of Abstract Expressionism, but they do not accept the authority of the mark or…

“Miecznikowski” is Kirstin Mitchell’s original family name, and the name of her Working Artist Project exhibition at the Museum of Contemporary Art of Georgia through September 8. It was the Polish family name of her father, whose approaching death…

Located in the heart of downtown, Athens’s newest space to view contemporary artwork is actually two distinct galleries, Tif Sigfrids and Howard’s. Though it’s fairly uncommon for more than one gallery to occupy the same physical space, at least…

Along with the documentary Advanced Style about women of a certain age with enviable, age-resistant personal style, Westwood: Punk, Icon, Activist joins the ranks of films about badass oldies, in this case 77-year-old punk rock British designer Vivienne Westwood,…

Linear drawing of Madonna by Martin Ramirez, on left, and cartoonish woman on a bright green background by Jim Nutt, on right.

“Outliers and American Vanguard Art”—from the title, it is not immediately clear that this exhibition reconsiders art often referred to as outsider, visionary, or folk, in order to examine its relationship to the development of modern art in America….

In Rachel Kushner’s electrifying 2013 novel The Flamethrowers, about a young woman who falls in with a fictionalized crew of post-conceptualists in 1970s New York, an artist tells the unnamed protagonist, “You don’t have to immediately become an artist……

With “Inhuman,” his first solo show at Sandler Hudson Gallery, Atlanta-based artist William Downs expands upon the evocative visual language he previously developed in ink-wash works on paper, reimagining iconic figurative depictions from Western art history, such as Cézanne’s Bathers, in a muddled, dreamlike…

A mirrored room with reflections and projected text.

Los Angeles artist Kevin Cooley has created an atmospheric, tweet-activated installation at Laney Contemporary in Savannah that marks the constant slippage of time — time at the speed of sea levels rising and polar caps melting. The indirectly participatory work is…

What does it mean to make an image of a contemporary urban city, and how does one go about doing so? What patterns and typologies would repeat themselves across the global metropolitan network, and what qualities would remain and unrepeatable?…