Julian Rogers, Untitled, 2017; oil on canvas, 40 by 34 inches.
Julian Rogers, Blue Flowers, 2019; oil on canvas, 40 by 30 inches.
“Alexander’s Dark Band” is the dark area that appears between two rainbows in the event of a double rainbow. The paintings in Alexander’s Dark Band look at the history of painting in two ways and use a monochromatic or multicolored spectrum to do so. With a veil-like quality on the surface of each work, digital images of these paintings are very difficult to capture, and the eye continues to search for what it’s seeing.
— From the accompanying text
Julian Rogers, Double Positive, 2014; oil on canvas, 22 by 20 inches.
Julian Rogers, Double Positive, 2014; oil on canvas, 26 by 22 inches.
Julian Rogers, Nightlife, 2016; oil on canvas, 36 by 36 inches.
Julian Rogers, Nightlife, 2016; oil on canvas, 36 by 36 inches.
Julian Rogers, Untitled, 2017; oil on canvas, 20 by 22 inches.
Julian Rogers, Untitled, 2017; oil on canvas, 26 by 22 inches.
Julian Rogers’s solo exhibition Alexander’s Dark Band is on view at the Red Arrow Gallery in Nashville through July 27.
Burnaway takes a close look at Ile aye, moya, là, ndokh...harmonic conversions...mm, an exhibition by Dineo Seshee Bopape on view at ICA VCU in Richmond.
Burnaway’s bi-weekly news roundup includes the digital preservation of Joe Minter's African Village in America, a newly proposed Creative Economy Revitalization Act, and April Parker becoming Managing Director of Elsewhere in Greensboro, North Carolina.
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