Madeleine Seidel profiles Tennessee native Virginia Overton and considers the importance of site, material, and context in the artist’s sculptural works.
BA editor Logan Lockner considers queer sex and figuration the paintings of Philadelphia-based artist Jonathan Lyndon Chase.
Paul Michael Brown visits the farmhouse studio of Kentucky artist Mike Goodlett, whose drawings and sculptures give playful form to queer desire.
In her exhibition “Base Line of Appraisal,” Atlanta artist Krista Clark translates two-dimensional compositions into architectural installations drawing on the city’s rapidly developing landscape.
BA assistant editor Jasmine Amussen speaks with Azikiwe Mohammed about soft ghetto aesthetics, memory and photography, and his solo show at SCAD Museum of Art.
The two museums operated by artist Joni Mabe on a historic 1908 property in Cornelia, Georgia, contain contradictory wonder-rooms of obsession and memory.
Photographer Mike Smith has spent nearly the past 40 years documenting the strangeness, poverty, grace, and pain of his adopted home in East Tennessee. A selection of Smith’s work is featured in the group show “Southbound: Photographs of and…
In a conversation with Paul Michael Brown, Kentucky-based artist Aaron Skolnick discusses drawing his late partner, artist Louis Zoellar Bickett, and the importance of documenting queer intimacy.
On December 1, Atlanta-based writer Logan Lockner, who has been serving as BURNAWAY’s interim editor in a temporary capacity for the last three months, will join the organization permanently as editor. As Logan will be responsible for guiding the magazine’s…
I met Katya over a decade ago when we were both students at Cooper Union in New York. In school, she was the gregarious class clown and cool girl, making irreverent, slapstick paintings and art-cum-standup comedy that charmed students…
