Burnaway > Feature

BA contributor Claire E. Dempster considers pixels in contemporary life and artmaking, updating Rosalind Krauss’s “Grids” for the twenty-first century.

As we begin a new year, BURNAWAY looks ahead to ten exhibitions we’re anticipating in 2019, including shows in Atlanta, Richmond, New Orleans, Lexington, and elsewhere.

As the year comes to a close, BURNAWAY Executive Director Erin Jane Nelson and Editor Logan Lockner reflect on their favorite exhibitions in the South in 2018.

On December 1, Atlanta-based writer Logan Lockner, who has been serving as BURNAWAY’s interim editor in a temporary capacity for the last three months, will join the organization permanently as editor. As Logan will be responsible for guiding the magazine’s…

As new technologies continue to pervade our everyday lives, attendant policies must proactively protect users from exploitation. Interdisciplinary artist Xin Xin, an assistant professor in Media Design and Women’s Studies at the University of Georgia, works at the intersections…

In his controversial notion of “Third-World literature,” first outlined in an essay published in 1986, Marxist cultural theorist Fredric Jameson argues that a certain subset of literature—that of nations problematically characterized as belonging to the so-called “Third World”—projects an…

On a short, leisurely walk we recently took together, Atlanta-based artist Iman Person led me along the proposed path for Waterlust, her upcoming installation for Flux Projects’ latest iteration, FLUX: Grant Park.  The weekend-long, park-wide exhibition shows a new…

 I met Katya over a decade ago when we were both students at Cooper Union in New York. In school, she was the gregarious class clown and cool girl, making irreverent, slapstick paintings and art-cum-standup comedy that charmed students…