Vera B. William / STORIES at the Black Mountain College Museum + Arts Center, Asheville
Topher Lineberry reviews Vera B. William / STORIES at the Black Mountain College Museum + Arts Center, Asheville.
Topher Lineberry reviews Vera B. William / STORIES at the Black Mountain College Museum + Arts Center, Asheville.
Maria Owen reviews the playful invitations found in Kevin Ford’s Ids of March at Tops Gallery, Memphis.
Amarie Gipson visits mixed-media artist Chayse Sampy in her shared studio in Downtown Houston to discuss living in the South, Afro-surrealism, and the color blue.
Christopher Stephen reviews the visual metaphors of the garden found in A Landscape Longed For: The Garden as Disturbance at the Crisp-Ellert Art Museum, St. Augustine.
Harrison Wayne reviews the entangled sculptures and taxidermic specimens found in As for me, I’m just passing through this planet at Bad Water, Knoxville.
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
Daniel Fuller reviews the crafted metal chairs reflecting tenderness and the human condition in Everyday Love by Richard Dial at Institute 193, Lexington.
Rosa Boshier González explores how three artists on view during FotoFest’s 2024 Biennial in Houston have mapped histories of movement onto the body.
Margaret Jane Joffrion reviews the feeling montages and logic of colors found in Dance in the waterfall at Red Arrow, Nashville.