In the Studio with Chayse Sampy
Amarie Gipson visits mixed-media artist Chayse Sampy in her shared studio in Downtown Houston to discuss living in the South, Afro-surrealism, and the color blue.
BA DAILY
A Landscaped Longed For: The Garden as Disturbance at the Crisp-Ellert Art Museum, St. Augustine
Christopher Stephen reviews the visual metaphors of the garden found in A Landscape Longed For: The Garden as Disturbance at the Crisp-Ellert Art Museum, St. Augustine.
As for me, I’m just passing through this planet at Bad Water, Knoxville
Harrison Wayne reviews the entangled sculptures and taxidermic specimens found in As for me, I’m just passing through this planet at Bad Water, Knoxville.
Orchid Daze by Lillian Blades at the Atlanta Botanical Gardens
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
Everyday Love by Richard Dial at Institute 193, Lexington
Daniel Fuller reviews the crafted metal chairs reflecting tenderness and the human condition in Everyday Love by Richard Dial at Institute 193, Lexington.
Mapping the Body at FotoFest’s 2024 Biennial, Houston
Rosa Boshier González explores how three artists on view during FotoFest’s 2024 Biennial in Houston have mapped histories of movement onto the body.
Dance in the waterfall at Red Arrow, Nashville
Margaret Jane Joffrion reviews the feeling montages and logic of colors found in Dance in the waterfall at Red Arrow, Nashville.
Luisa Basnuevo’s The space, the play, the angles at CENTRAL FINE, Miami Beach
Rob Goyanes dives into the spontaneity of Luisa Basnuevo’s paintings in The space, the play, the angles at CENTRAL FINE, Miami Beach.
Fauna/Banks at Staple Goods, New Orleans
Emily Alesandrini reviews the woven together collaborative works of Imogen Banks and Benry Fauna found in Fauna/Banks at Staple Goods, New Orleans.
