Trevor Reese upends viewer expectations by casting the interior of a garden shed and printing a towering text drawn from an array of sources.
The artist’s current exhibition is like a party gone wrong. And that’s exactly the effect she’s going for.
“Medium” is about more than the paranormal; it’s about reconciling our past with our present, and the ways in which the truth can slip and slide as we construct narratives based on belief rather than fact.
The delightfully garish caricatures of women’s futile pursuit of perfection are more humorous and empathetic than condescending.
Amelia Carley re-creates the experience of a tropical island sunset in an installation involving three tons of sand and a series of hot-hued paintings.
Clark and Peterson have created a packed installation that’s as chaotic as it is controlled.
The basement gallery Good Enough is the perfect setting for Kira Scerbin’s mysterious figures, crafted from ephemeral and seemingly impromptu materials.
The artist, known for his colorful and exuberant murals around town, makes a dramatic shift in “How Nice,” an exhibition about his life as a disabled bisexual man.
In its second gallery exchange with Zeitgeist Gallery, Atlnatas Whitespace is hosting an exhibition of work by the Nashville gallerys artists.
Everything at Kirstin Mitchell’s latest show conjures a feeling of tranquility, beginning with the exhibition title “Midnight at the Oasis.” Mitchell’s exhibition, her first at Hathaway, comprises color gradient paintings, sculptures, and rubber canvases that combine to create one woozy experience. In her artist statement, Mitchell notes that the word oasis most likely evolved from…