In conversation with local artists and gallerists, Rachel Ebio details the art history of North Nashville, a historically Black neighborhood targeted by gentrification and real estate development.
Brandee Newkirk visits Deana Lawson’s retrospective at the High Museum, reflecting on the historic violence of photography and the objectification of Black nostalgia.
Visiting Crystal Bridges’s latest exhibition, Rachel Trusty reflects on Northwest Arkansas’s changing landscape and Latinx placemaking beyond borders.
Burnaway announces its yearly magazine themes: Conspiracy, Camouflage, and Current.
Rosa Boshier González reveals the politics behind pop culture in Diane Severin Nguyen’s solo institutional exhibition IF REVOLUTION IS A SICKNESS at Contemporary Arts Museum Houston.
Chasitie Brown explores the lasting impacts of Latin American artmaking practices in Movement: The Legacy of Kineticism at the Dallas Museum of Art.
Champion of outcasts, Nashville-based artist Vadis Turner redefines what it means to be “off the grid” in ‘Encounters’ at the Huntsville Museum of Art.
In this final roundup, Burnaway staff look back at their favourite exhibitions of 2022 and what they are most looking forward to in 2023.
In this piece from our 2020 print annual Laws of Salvage, artist Stacy Kranitz explores the feminine archetypes and the Mid-South.
