The Carlos Museum’s “Mandala” exhibition offers a well-curated combination of ancient artifacts and contemporary displays.
Archive Content by Tag ‘Rubin Museum of Art’
04/04/12 Mandalas: Wild Tibetan Graphics at the Michael C. Carlos Museum
Category: Reviews | Tags:
Tags: bodhisattva, buddha, Buddhism, Chinese Monoculture, Cubism, Gautama Buddha, Hindu, infographics, Mandala, Mandala: Sacred Circle in Tibetan Buddhism, meditation, Michael C. Carlos Museum, Mount Meru, RBG color, Rubin Museum of Art, sand mandala, Tantra, Tantric Buddhism, Tibetan Buddhism
Tags: bodhisattva, buddha, Buddhism, Chinese Monoculture, Cubism, Gautama Buddha, Hindu, infographics, Mandala, Mandala: Sacred Circle in Tibetan Buddhism, meditation, Michael C. Carlos Museum, Mount Meru, RBG color, Rubin Museum of Art, sand mandala, Tantra, Tantric Buddhism, Tibetan Buddhism
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04/01/11 Figures in a global culture: Modern Indian art at Oglethorpe University
Category: Reviews | Tags:
Tags: 1947-1980, 20th century artists, 20th century Indian art, Art for a Modern India, Collection of Shelley and Donal Rubin, colonialist, Communist Party, Cubists, dhyanasana, Emory-Tibet Partnership, Francis Newton Souza, Goddess, Hinduism, Jasper Johns, Lion, M.F. Husain, Mahjabin Majumdar, Modern and Contemporary Indian Art, Modern Indian art, modernist, Oglethorpe University Museum of Art, Peasant, Pollock, post-colonial, post-post-colonial, Priest, Primitivism, Rebecca Brown curator, Rebecca M. Brown, Rothko, Rubin Collection, Rubin Museum of Art, Sakti Burman, Seema Kohli, The Making of Modern India: The Progressives, Warhol, Western art history, Yasodhara Dalmia
Tags: 1947-1980, 20th century artists, 20th century Indian art, Art for a Modern India, Collection of Shelley and Donal Rubin, colonialist, Communist Party, Cubists, dhyanasana, Emory-Tibet Partnership, Francis Newton Souza, Goddess, Hinduism, Jasper Johns, Lion, M.F. Husain, Mahjabin Majumdar, Modern and Contemporary Indian Art, Modern Indian art, modernist, Oglethorpe University Museum of Art, Peasant, Pollock, post-colonial, post-post-colonial, Priest, Primitivism, Rebecca Brown curator, Rebecca M. Brown, Rothko, Rubin Collection, Rubin Museum of Art, Sakti Burman, Seema Kohli, The Making of Modern India: The Progressives, Warhol, Western art history, Yasodhara Dalmia
Twentieth-century Indian art is inevitably viewed in the framework of North American/European art history. While the four millennia of Indian art stand to speak volumes on the work of any Indian artist, the more immediate effect of colonialism tends to define the relationship of modern Indian artists with regard to well-known contemporaneous Western artists and [...]
































karley: nice!
Jared: Excited for the Bowman collection. She is someone to keep an eye on
ruth: What do you do with difficult lines of memory? Fold them into a san
Beth Lilly: I know! That's exactly the type of work I had in mind with the call f
Jason Francisco: Davis' bulletin boards seem to me actually to be photographs themselve