The idea for BURNAWAY originated from a front-porch conversation about the need for more dialogue about local art. Please welcome Louise Shaw, this month’s curator of Our Front Porch, a series of guest reviews and topics for open discussion with you, our readers.
Archive Content by Tag ‘Louise E. Shaw’
11/01/11 Our Front Porch: What Happened to Political Art in Atlanta?
Category: Our Front Porch | Tags:
Tags: activism, Adbusters, advocacy, AFRICOBRA, AIDS, Atlanta Contemporary Art Center, CDC Museum, Centers for Disease Control and Prevention, Creative Loafing, culture jammer, Dan Talley, David J. Sencer CDC Museum, dedication, e-flux, Evan Levy, Felicia Feaster, Global Health Odyssey Museum, Greece’s Big Debt Drama Is a Muse for Its Artists, Hans Haacke, Jr. Memorial, Louise E. Shaw, Louise Shaw, Lynda Benglis, Martin Luther King, Nancy Spero, New York Times, Nexus Contemporary Art Center, Occupy Atlanta, Occupy Wall Street, Off the Beaten Path, political art, Road to Freedom: Photographs of the Civil Rights Movement, Sex Drive, Task Force for the Homeless, The Subject is AIDS, Troy Davis, Troy Davis Park, Undercover: Performing and Transforming Black Female Identities, Woodruff Park
Tags: activism, Adbusters, advocacy, AFRICOBRA, AIDS, Atlanta Contemporary Art Center, CDC Museum, Centers for Disease Control and Prevention, Creative Loafing, culture jammer, Dan Talley, David J. Sencer CDC Museum, dedication, e-flux, Evan Levy, Felicia Feaster, Global Health Odyssey Museum, Greece’s Big Debt Drama Is a Muse for Its Artists, Hans Haacke, Jr. Memorial, Louise E. Shaw, Louise Shaw, Lynda Benglis, Martin Luther King, Nancy Spero, New York Times, Nexus Contemporary Art Center, Occupy Atlanta, Occupy Wall Street, Off the Beaten Path, political art, Road to Freedom: Photographs of the Civil Rights Movement, Sex Drive, Task Force for the Homeless, The Subject is AIDS, Troy Davis, Troy Davis Park, Undercover: Performing and Transforming Black Female Identities, Woodruff Park
































karley: nice!
Jared: Excited for the Bowman collection. She is someone to keep an eye on
ruth: What do you do with difficult lines of memory? Fold them into a san
Beth Lilly: I know! That's exactly the type of work I had in mind with the call f
Jason Francisco: Davis' bulletin boards seem to me actually to be photographs themselve