Los Angeles’s biennial shows how it shares a similar identity to Atlanta: a city both everywhere and nowhere.
Archive Content by Tag ‘LA’
10/05/12 The Fringe: Made in LA and Speculations on the Merit of Place
Category: The Fringe | Tags:
Tags: Anne Philbin, Arizona, Barnsdall Park, biennial, boosterism, Camilo Ontiveros, David Hockney, El Dorado, El Pedón, Frank Lloyd Wright, Georgia, Hammer, HB 87, Hollywood, Hollywood Boulevard, intervention, LA, LA Biennial, LAMAG, LAXART, Los Angeles, Los Angeles Municipal Art Gallery, Made in L.A., Made in L.A. 2012, Michael Sorkin, Mike Davis, mythology, Pacific Standard Time, pedon, public art, Ry Rocklen, SB 1070, SoCal, Southern California, Sunset Boulevard, UCLA, Venice, Venice Beach
Tags: Anne Philbin, Arizona, Barnsdall Park, biennial, boosterism, Camilo Ontiveros, David Hockney, El Dorado, El Pedón, Frank Lloyd Wright, Georgia, Hammer, HB 87, Hollywood, Hollywood Boulevard, intervention, LA, LA Biennial, LAMAG, LAXART, Los Angeles, Los Angeles Municipal Art Gallery, Made in L.A., Made in L.A. 2012, Michael Sorkin, Mike Davis, mythology, Pacific Standard Time, pedon, public art, Ry Rocklen, SB 1070, SoCal, Southern California, Sunset Boulevard, UCLA, Venice, Venice Beach
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09/19/12 Atlanta Critic and Glasstire Publisher Discuss Arts Writing Symposium
Category: Art News, INTERVIEWS | Tags:
Tags: Annenberg, Annenberg School for Communication and Journalism, Art in America, ArtsATL, Boston, California, Chicago, Emory, Emory University, first National Critics Conference, International Association for Art Critics, LA, Lindsay Pollock, Los Angeles, Off/Center, Off/Center: Art Writing From the Regions, Rainey Knudson, Rebecca Dimling Cochran, SoCal, symposium, University of Southern California
Tags: Annenberg, Annenberg School for Communication and Journalism, Art in America, ArtsATL, Boston, California, Chicago, Emory, Emory University, first National Critics Conference, International Association for Art Critics, LA, Lindsay Pollock, Los Angeles, Off/Center, Off/Center: Art Writing From the Regions, Rainey Knudson, Rebecca Dimling Cochran, SoCal, symposium, University of Southern California
Rebecca Dimling Cochran and Rainey Knudson talk shop to kick off this week’s critics conference at Emory.
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08/28/12 Artificial Lights and Authentic Anxiety in Reality Show at {Poem 88}
Category: Reviews | Tags:
Tags: 15 minutes, Alexis Hudgins, atlas, Emory, featured, Georgia State University, GSU, Jon Ciliberto, LA, Los Angeles, maps, moon, NASA, Poem 88, psychiatrist, psychology, reality TV, Robin Bernat, Rosalind Mance, Science magazine, Stewart Ziff, surveillance, television, UCLA, Warhol
Tags: 15 minutes, Alexis Hudgins, atlas, Emory, featured, Georgia State University, GSU, Jon Ciliberto, LA, Los Angeles, maps, moon, NASA, Poem 88, psychiatrist, psychology, reality TV, Robin Bernat, Rosalind Mance, Science magazine, Stewart Ziff, surveillance, television, UCLA, Warhol
{Poem 88} pairs bi-coastal artists in the recent 10-day production of this site-specific, reality TV-style program.
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12/14/11 On Beasts and Dancers: Atlanta Artists Bring Identity into the Mix
Category: Reviews | Tags:
Tags: Alex Abarca, Anti Manners, Art on the Beltline, autobiography, ballet, Be(A)stie, Beacon Hill Theater, Beastie Boys, Bobbi Jo Brooks, Cédric Andrieux, Charleston, communal art, controversy, CORE, CORE Performance Company, Corian Ellisor, Cunningham technique, dance, dancers, Dashboard Co-op, Decatur, Emily Christianson, Greg Catallier, gunslinger, Helen Hale, I Wanna Dance with Somebody, Intergalactic, James Bond, Jérôme Bel, Juel Lane, LA, Los Angeles, Marina Abramović, Merce Cunningham, MOCA, Museum of Contemporary Art, Palais Garnier, Paris Opera, Petipa, Shaken, South Carolina, Spoleto Festival, Swan Lake, TEMPO: A Non-fiction Dance Performance, Ursula Kendall Johnson, Veronique Doisneau, What Cha Don't Wanna Tap Into, Whitney Houston, Zoetic Dance Ensemble
Tags: Alex Abarca, Anti Manners, Art on the Beltline, autobiography, ballet, Be(A)stie, Beacon Hill Theater, Beastie Boys, Bobbi Jo Brooks, Cédric Andrieux, Charleston, communal art, controversy, CORE, CORE Performance Company, Corian Ellisor, Cunningham technique, dance, dancers, Dashboard Co-op, Decatur, Emily Christianson, Greg Catallier, gunslinger, Helen Hale, I Wanna Dance with Somebody, Intergalactic, James Bond, Jérôme Bel, Juel Lane, LA, Los Angeles, Marina Abramović, Merce Cunningham, MOCA, Museum of Contemporary Art, Palais Garnier, Paris Opera, Petipa, Shaken, South Carolina, Spoleto Festival, Swan Lake, TEMPO: A Non-fiction Dance Performance, Ursula Kendall Johnson, Veronique Doisneau, What Cha Don't Wanna Tap Into, Whitney Houston, Zoetic Dance Ensemble
A dancer is not a racehorse, but the two career paths can have discomforting parallels. After many hours, months, and years spent in strenuous training, both perform for relatively brief periods in the light of public admiration. Both earn accolades for excellence; injuries take them out of sight to some depressing pasture we never have [...]
































Jared: Excited for the Bowman collection. She is someone to keep an eye on
ruth: What do you do with difficult lines of memory? Fold them into a san
Beth Lilly: I know! That's exactly the type of work I had in mind with the call f
Jason Francisco: Davis' bulletin boards seem to me actually to be photographs themselve
burnaway: approved