On a recent trip to Los Angeles, I was able to see some of Pacific Standard Time: Art in L.A. 1945-1980, a cross-institutional series of exhibitions celebrating the history of contemporary art in L.A. The brainchild of the Getty Foundation, the six-month event is composed of 68 museum exhibitions and over 70 galleries featuring more [...]
Archive Content by Tag ‘Catherine Fox’
11/29/11 Following the Publication of Noplaceness, What Happens Next?
This month Atlanta Art Now’s highly anticipated book Noplaceness: Art in a Post-Urban Landscape was published and made available for sale. Noplaceness is the first publication in what is to be a series discussing contemporary art with a focus on Atlanta visual artists.
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06/15/11 Questioning the Mayor’s Gift and the Mythology of Economic Crisis
Following on the heels of a proposed cut to the arts and subsequent responses from Atlanta artists, Mayor Kasim Reed appeared at last month’s Metropolitan Atlanta Arts Fund luncheon with a seemingly grand and heroic announcement. Gathered that afternoon with the knowledge that 50 percent of the Office of Cultural Affairs’ Contracts for Arts Services [...]
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01/05/11 Atlanta Art Now, a Possible Futures book coming in November
What will be on the cover? Will the publication repeat what we’ve already seen and heard? Will it be little more than a glossy coffee-table ornament, or will it have something truly fresh and significant to say? This morning’s announcement brings to mind these questions and more. Burning, breaking news: The Atlanta-based foundation Possible Futures [...]
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09/14/10 Possible Futures grants $90,000 to local Atlanta arts criticism
Dear readers, I would like to pause for a moment and reflect on everything you’ve helped us achieve over the past two years. It gives me immeasurable pleasure to announce that BURNAWAY has been awarded a $30,000 grant from Possible Futures, a new Atlanta-based foundation established by Louis Corrigan.
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karley: nice!
Jared: Excited for the Bowman collection. She is someone to keep an eye on
ruth: What do you do with difficult lines of memory? Fold them into a san
Beth Lilly: I know! That's exactly the type of work I had in mind with the call f
Jason Francisco: Davis' bulletin boards seem to me actually to be photographs themselve